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  • James Gandolfini of ?Sopranos? fame dead at 51

    James Gandolfini, whose portrayal of a brutal, emotionally delicate mob boss in HBO’s The Sopranos helped create one of TV’s greatest drama series and turned the mobster stereotype on its head, died Wednesday in Italy. He was 51.

    Gandolfini died while on holiday in Rome, the cable channel and Gandolfini’s managers Mark Armstrong and Nancy Sanders said in a joint statement. No cause of death was given.

    “He was a genius,” said Sopranos creator David Chase. “Anyone who saw him even in the smallest of his performances knows that. He is one of the greatest actors of this or any time. A great deal of that genius resided in those sad eyes.”

    MORE: James Gandolfini photo gallery

    Gandolfini, who won three Emmy Awards for his role as Tony Soprano, worked steadily in film and on stage after the series ended. He earned a 2009 Tony Award nomination for his role in the celebrated production of God of Carnage.

    “Our hearts are shattered and we will miss him deeply. He and his family were part of our family for many years and we are all grieving,” said managers Armstrong and Sanders.

    HBO called the actor a “special man, a great talent, but more importantly a gentle and loving person who treated everyone, no matter their title or position, with equal respect.” The channel expressed sympathy for his wife and children.

    Joe Gannascoli, who played Vito Spatafore on the HBO drama, said he was shocked and heartbroken.

    “Fifty-one and leaves a kid—he was newly married. His son is fatherless now ... It’s way too young,” Gannascoli said.

    Gandolfini’s performance in The Sopranos was indelible and career-making, but he refused to be stereotyped as the bulky mobster who was a therapy patient, family man and apparently effortless killer.

    In a December 2012 interview with The Associated Press, a rare sit-down for the star who avoided the spotlight, he was upbeat about a slew of smaller roles following the breathtaking blackout ending in 2007 of The Sopranos.

    “I’m much more comfortable doing smaller things,” Gandolfini said in the interview. “I like them. I like the way they’re shot; they’re shot quickly. It’s all about the scripts — that’s what it is — and I’m getting some interesting little scripts.”

    He played Secretary of Defense Leon Panetta in Kathryn Bigelow’s Osama bin Laden hunt docudrama Zero Dark Thirty. He worked with Chase for the ‘60s period drama Not Fade Away, in which he played the old-school father of a wannabe rocker. And in Andrew Dominick’s crime flick Killing Them Softly, he played an aged, washed-up hit man.

    There were comedies such as the political satire In the Loop, and the heartwarming drama Welcome to the Rileys, which co-starred Kristen Stewart. He voiced the Wild Thing Carol in Where the Wild Things Are.

    Gandolfini grew up in Park Ridge, N.J., the son of a building maintenance chief at a Catholic school and a high school lunch lady.

    While Tony Soprano was a larger-than-life figure, Gandolfini was exceptionally modest and obsessive — he described himself as “a 260-pound Woody Allen.”

    In past interviews, his castmates had far more glowing descriptions to offer.

    “I had the greatest sparring partner in the world, I had Muhammad Ali,” said Lorraine Bracco, who, as Tony’s psychiatrist Dr. Melfi, went one-on-one with Gandolfini in their penetrating therapy scenes. “He cares what he does, and does it extremely well.”

    After earning a degree in communications from Rutgers University, Gandolfini moved to New York, where he worked as a bartender, bouncer and nightclub manager. When he was 25, he joined a friend of a friend in an acting class, which he continued for several years.

    Gandolfini’s first big break was a Broadway production of A Streetcar Named Desire where he played Steve, one of Stanley Kowalski’s poker buddies. His film debut was in Sidney Lumet’s A Stranger Among Us (1992).

    Director Tony Scott, who killed himself in August 2012, had praised Gandolfini’s talent for fusing violence with charisma — which he would perfect in Tony Soprano.

    Gandolfini played a tough guy in Tony Scott’s 1993 film, True Romance, who beat Patricia Arquette’s character to a pulp while offering such jarring, flirtatious banter as, “You gotta lot of heart kid.”

    Scott called Gandolfini “a unique combination of charming and dangerous.”

    Gandolfini continued with supporting roles in Crimson Tide (1995), Get Shorty 1995), The Juror (1996), Lumet’s Night Falls on Manhattan (1997), She’s So Lovely 1997), Fallen (1998) and A Civil Action (1998). But it was True Romance that piqued the interest of Chase.

    He shared a Broadway stage with Jeff Daniels, Hope Davis and Marcia Gay Harden in God of Carnage when he received the best-actor Tony nod. He was in On the Waterfront with David Morse and was an understudy in a revival of A Streetcar Named Desire in 1992 starring Alec Baldwin and Jessica Lange.

    In his 2012 The Associated Press interview, Gandolfini said he gravitated to acting as a release, a way to get rid of anger. “I don’t know what exactly I was angry about,” he said.

    “I try to avoid certain things and certain kinds of violence at this point,” he said last year. “I’m getting older, too. I don’t want to be beating people up as much. I don’t want to be beating women up and those kinds of things that much anymore.”

  • Wedding gift spat spirals out of control after bride demands to see receipt

    Consider this: you attend the wedding of a casual acquaintance. You opt for your go-to gift ? a basket filled with fancy salsas, oil, biscuits, marshmallow spread and more. You sign the card, ?Life is delicious ? enjoy!?

    Later, you get a text from the bride ? ?I want to thank you for coming to the wedding Friday,? it begins.

    ?I?m not sure if it?s the first wedding you have been to, but for your next wedding ? people give envelopes. I lost out on $200 covering you and your dates plate . ? and got fluffy whip and sour patch kids in return. Just a heads-up for the future.?

    It sounds like a Miss Manners hypothetical, but this was the drama that played out at a recent Hamilton wedding.

    Kathy Mason and her boyfriend gifted a food basket to Laura (who declined to give her last name) and her bride. When Laura suggested Mason poll ?normal functioning people? about her basket-giving blunder, Mason brought the question to The Spectator and the Burlington Mamas Facebook group, where it garnered more than 200 responses in less than 24 hours. Even those who agreed cash was a more appropriate gift thought the bride?s reaction was rude.

    Share your wedding photos with us

    ?We just appreciate the support;? Mason says, ?the confirmation that what we did was thoughtful and not out of place.?

    Mason says she was second-guessing herself in the wake of the bride?s texts, which started out by simply asking for the receipt (one of the brides was gluten-intolerant).

    Louise Fox , an etiquette coach who has appeared on shows including Slice TV?s Rich Bride, Poor Bride , says even requesting the receipt was out of line. She says the couple should have offered the basket to family, friends or a food bank, then written a thank-you note that focused on the thought behind the act of gift-giving.

    Here?s a taste of the email exchange:

    Gift-givers: ?? to ask for a receipt is unfathomable. In fact it was incredibly disrespectful. It was the rudest gesture I have encountered, or even heard of.?

    Newlyweds: ?Weddings are to make money for your future ? not to pay for peoples meals. Do more research. People haven?t gave gifts since like 50 years ago! You ate steak, chicken, booze, and a beautiful venue.?

    Gift-givers: ?It?s obvious you have the etiquette of a twig, I couldn?t care less of what you think about the gift you received, ?normal? people would welcome anything given, you wanna have a party, you pay for it, DON?T expect me to.?

    Newlyweds: ?You should have been cut from the list ? I knew we were gunna get a bag of peanuts. I was right.?

    Fox, the etiquette coach, says the newlyweds? reaction is at the top of her list as far as rude behaviour goes. ?It?s hard to top that. The wedding is never supposed to be about the gifts. It?s a celebration of the union.?

    ?You should be grateful that you got a gift and that?s the end of it. You want to preserve the feelings of the giver.?

    Laura disagrees. She chalks it up to cultural differences. She?s Italian and her bride is Croatian. They?ve never been to a wedding where guests didn?t give cash.

    She says it cost $34,000 to host 210 guests at a local wedding hall. Mason was one of only two guests who didn?t gift at least $150 cash (the other gave a present in addition to cash).

    ?I don?t know what day or century they?re living in ? it must have been a regifted gift,? Laura says. ?I just spent $200 for you and your guest to come and you guys must have given me $40 back.?

    She says Mason?s gift was the laughingstock of the wedding. At a post-wedding pool party the next day, friends and family stopped by the living room to get a look at the basket that?s still on display in their home.

    Got a wedding story? Share it using the commenting tool below

  • Toronto school board trustees rescue music staff

    It was the day the music didn’t die.

    Toronto trustees saved music instructors but slashed school budgets as they debated the 2013-14 board budget late into the night.

    Facing a $55-million deficit in their $2.9-billion budget, trustees earlier this year voted to cut teachers and other school staff to save about $27.7 million, and on Wednesday discussed proposals to find the remaining $27.3 million to balance the books.

    Refusing to cut the music instructors and hours of programming added $2 million to the savings to be found, and Toronto District School Board Chair Chris Bolton said it would be added to a budget line called “in-year savings” — which basically means they will be found during the next school year through not filing job openings right away or through lower utility costs.

    That boosts the in-year savings to be found to $10.5 million.

    Bolton said, however, that while music has grabbed the public’s attention — many trustees spoke about how the outcry was the biggest they’d ever seen — other cuts like those to school budgets were going to affect programs

    “Textbooks cost more,” he said. “The problem is, you don’t have the materials to start up classrooms or to do new initiatives,” he said after briefly leaving the meeting to speak with reporters.

    “This is a victory — the Toronto District School Board has one of the best music programs in the country and we’re going to be able to maintain it for at least another year,” said Trustee Chris Glover after the budget vote.

    Trustees were told that school budgets would lose about $2 million in total, or by four per cent. For a small elementary school, that could be anywhere from $600 to $2,100; a mid-sized elementary from $2,000 to $4,000 and a large elementary up to $9,200.

    For secondary schools, the impact would be bigger: small schools up to $2,500, medium from $3,000 to $9,000 and large up to $22,000.

    “I was a principal of what is considered a large elementary school and if I lost ($9,200), I would be pretty devastated,” he said.

    Earlier in the evening, Bolton said that previously, the board had been “cutting at the edges,” but “we are now at the point where the decisions that we make have the potential to affect programs.”

    The board now has to “work in a creative fashion to minimize that effect.”

    Other proposed cuts include reducing maintenance supplies, overtime for caretakers and reducing two of four “reading recovery” lead teachers.

    Trustee Cathy Dandy said her son is now 23, and the board has been making cuts since he was 5.

    Glover warned that projections for next year’s budget is already a $30-million deficit, so trustees will be making more cuts next year.

    “We need the province to step in and fix the funding,” he said.

    The cuts to music programs would have axed itinerant musicians who travel from school to school helping elementary teachers with the complex music curriculum, including vocal, recorder and Orff. As well as the hours of those instructors who teach steel pans, string instruments and band.

    Bolton said he was unsure if the provincial government would allow the board to budget for $10.5 in in-year savings. This current year, it planned for $10 million in such savings, and didn’t meet that target but came close, said Bolton.

    After passing their budget, trustees met in private to discuss a plan to sell off 11 land sites to bring in $162.2 million and end the province's freeze on funding for new school buildings and major renovations.

Arts & Letters
Trudy
Written by Corrie Sloot   
Sunday, 12 August 2007
 
Lisa: Mr Gumble, this is a girl scouts meeting.